Theme 03: Post-colonial Experiences, Archaeological Practice and Indigenous Archaeologies
Uzma Z. Rizvi (Pratt Institute) and Hirofumi Kato (Hokkaido University)
At the core of this theme is a desire to decolonize and critically evaluate ongoing practices that define archaeology. As global efforts to redefine archaeological practice are underway to ensure a more just and equitable practice, past colonial histories of archaeology must be taken into account and re-considered. The coloniality of archaeological practice implicates epistemic violence in which under the guise of ‘science,’ archaeology makes demands upon bodies, landscapes, memories, histories, and heritage. Recent strides in Community Archaeology, Postcolonial Archaeology, and Indigenous Archaeology have attempted to redress many of these concerns, but it is clear there is much more to be done.
Panels considered under this theme should address issues related to decolonization, coloniality, the postcolonial critique, and indigenous archaeologies through an amplification, implementation and consideration of inclusion of local voices, diversity and multiculturalism in context, heritage/heritage management, repatriation, politics of collaboration, benefits flow, reciprocity, power sharing, sustainability, gendering experience and practice, queering archaeology, social memory, post-western archaeologies, among other possible topics. Also of interest are national projects that reinstate colonial expectations, national institutions of archaeology, and linked to that, the manners in which archaeology is taught (pedagogical practices). Additional topics may include policy-making as archaeological process, ideas related to materials as witness as a stance of inclusion and multiplicity of voices, critiques of the coding of traditional versus contemporary art and its relationship to heritage, and postcolonial heritages. We welcome all proposals for panels contending with these issues, including but not limited to interdisciplinary viewpoints/authors, non-archaeologists, and non-traditional formats.